S. Agnese - San Trovaso, Venice, 19 th July 2026 - 25th July 2026

The Masterclass is aimed at professional singers, voice students or advanced amateurs whith suitable experience

There are only limited places available for the Masterclass.


Course Structure

Individual lessons in the morning: All participants receive alternating daily input with both teachers. Their complementary focuses create a rich and balanced learning experience:

Emma Kirkby Interpretation, sense of style, and efficient projection, through “embodying” the text, channelling of emotions through consonants, and effective use of hands and gesture.

Florian Franke Vocal technique, breath and body work, resonance and
balance, technical preparation for historically informed interpretation.
This combination of stylistic precision and technical development has proven especially valuable in recent years and is highly appreciated by singers.

Afternoons are dedicated to collaborative music-making:
• Ensemble singing (2–6 voices)
• Interpretation of madrigals and solo repertoire
• Work on shared experience, clarity of text, and authentic articulation

Participants are encouraged to observe each other’s lessons.

Shared listening is a core component of Madrigal Week: it provides insight
into technique, repertoire, teaching methods, and the artistic development
of fellow singers. In addition to the main teaching sessions, participants
will have the opportunity to receive
continuo coaching from
Bernhard Reichel, who will accompany lessons throughout the week.
As an internationally sought-after theorbist, lutenist, and musical director,
he brings a wealth of artistic insight to the course. 

A Special Highlight – the Rediscovered Venetian Avant-Gardist Giovanni Francesco Capello

This year’s course includes a remarkable addition: the extraordinary and newly rediscovered music of Giovanni Francesco Capello, one of the most innovative voices of the early Venetian Baroque. A contemporary of Monteverdi, Capello was regarded as one of the most modern composers of his era, combining bold harmonic writing, expressive chromaticism, virtuosic melodic lines, extended vocal ranges, and experimental instrumentation long before such techniques became widespread.

Most of Capello’s works have not been performed since the seventeenth century. Engaging with his music today offers a rare glimpse into the experimental roots of early Baroque expression and opens a fascinating, largely unknown chapter of Venetian sacred music. Working on Capello’s pieces will be one of the central artistic highlights of the 2026 course.

NEW in 2026

Limit of 14 active participants for more intensive support
• An
additional course day for deeper artistic work
• A dedicated
final concert exclusivly for the „Vocal-Masterclass“ highlighting the week’s solo and ensemble achievements 

Emma Kirkby - Soprano, Masterclass

Dame Emma Kirkby is a British soprano and leading specialist in early music, with over 100 recordings alongside ensembles such as the Academy of Ancient Music, London Baroque, and Freiburger Barockorchester.

She discovered Renaissance vocal polyphony and period instruments while studying Classics at Oxford, which shaped her distinctive style. After teaching school, she was invited to perform professionally and soon built long-term collaborations with pioneering early music groups and record labels.

Her repertoire spans Hildegard of Bingen to Mozart, including Renaissance madrigals, Baroque cantatas and operas, and Classical works. She has recorded with major labels such as Decca, Hyperion, EMI, Chandos
and BIS.

A dedicated teacher, she has led courses at Dartington Summer School, the Guildhall School of Music and Drama, and academies across Europe and the USA. She has also worked extensively with young singers in Italy.

Her honours include being made a Dame (2007), the Queen’s Medal for Music (2011), the REMA Early Music Award (2018), and a Lifetime Achievement Award from Gramophone (2019).

Emma is celebrated for her artistry, clarity, and commitment to ensemble music-making, inspiring new generations of early music performers worldwide.

Florian Franke - Bass-Baritone, Masterclass

German bass-baritone Florian Franke is internationally active as both a performer and a sought-after vocal pedagogue. Known for his empathetic and holistic approach, he works with professional singers, students, and choirs, and has gained wide recognition as a mentor and coach. His long-standing collaboration with Dame Emma Kirkby has been particularly influential, and together they regularly lead masterclasses and projects in Vienna, Venice (Monteverdi Madrigal Week), Neuburg an der Donau (Summer Academy for Ancient Music), Wernigerode (International Autumn Academy for Singing and Conducting), and at Hawkwood College (UK).

As a concert singer, Franke’s repertoire ranges from Bach’s major sacred works to contemporary music. Art song and lute song are likewise among his particular passions. He performs regularly with renowned ensembles such as the Symphoniker Hamburg and appears in concert across numerous European countries.

As a teacher, he serves on the faculties of the University of Bielefeld and the Church Music Academy in Schlüchtern, mentors vocal pedagogy students at the Detmold University of Music, and is invited frequently to give masterclasses and work with choirs, including the German National Youth Choir in the project Bach im Spiegel.

Bernhard Reichel – Lute, Continuo Masterclass

German-Austrian lutenist Bernhard Reichel performs on Renaissance and Baroque lute, theorbo, archlute, and historical guitars, with a special focus on music from 1500–1650.

His work often explores connections between music, visual arts, literature, and philosophy of the early modern era.

He is the director of the ensemble Musica getutscht and collaborates with artists such as Emma Kirkby, Hana Blažíková, Dominik Wörner, and Marc Mauillon.

As a soloist and ensemble player, he has appeared at major festivals including Beethovenfest Bonn, Styriarte Graz, and the Festival Oude Muziek Utrecht, and worked with ensembles like the Deutsche Kammerphilharmonie Bremen and the Dresdner Kammerchor.

Reichel’s performances have been featured on international radio, TV, and recordings for labels such as CPO, Audite, and Coviello Classics. He has also taught at the University of the Arts Bremen and in Sweden.

Davide Pelissa – Harpsichord, Continuo Masterclass

Born in Genoa in 1999, Davide Pelissa studied piano with Mariagrazia Canepa and Caterina Picasso, later turning to organ under Damiano Profumo. He was long active as a chorister with the Cappella Musicale della Cattedrale di Genova.

Since 2015 he has studied organ and organ composition with Matteo Messori, earning his diploma with highest honors at the Conservatory “Benedetto Marcello” in Venice in 2024.


He also graduated with distinction in Musicology from the University of Pavia (Cremona), with research focused on historical keyboard practice.

Pelissa performs as both soloist and continuo player at concerts and festivals, with a particular interest in Renaissance and Baroque repertoire.




Contact

Image

Hannes Fromhund

Am Wachtberg 1 | A-3550 Krems/Donau | Niederösterreich |

Österreich
phone 00436504652353 |

E-Mail [email protected] |