




Dame Emma Kirkby is a British soprano and leading specialist in early music, with over 100 recordings alongside ensembles such as the Academy of Ancient Music, London Baroque, and Freiburger Barockorchester.
She discovered Renaissance vocal polyphony and period instruments while studying Classics at Oxford, which shaped her distinctive style. After teaching school, she was invited to perform professionally and soon built long-term collaborations with pioneering early music groups and record labels.
Her repertoire spans Hildegard of Bingen to Mozart, including Renaissance madrigals, Baroque cantatas and operas, and Classical works. She has recorded with major labels such as Decca, Hyperion, EMI, Chandos
and BIS.
A dedicated teacher, she has led courses at Dartington Summer School, the Guildhall School of Music and Drama, and academies across Europe and the USA. She has also worked extensively with young singers in Italy.
Her honours include being made a Dame (2007), the Queen’s Medal for Music (2011), the REMA Early Music Award (2018), and a Lifetime Achievement Award from Gramophone (2019).
Emma is celebrated for her artistry, clarity, and commitment to ensemble music-making, inspiring new generations of early music performers worldwide.

German bass-baritone Florian Franke is internationally active as both a performer and a sought-after vocal pedagogue. Known for his empathetic and holistic approach, he works with professional singers, students, and choirs, and has gained wide recognition as a mentor and coach. His long-standing collaboration with Dame Emma Kirkby has been particularly influential, and together they regularly lead masterclasses and projects in Vienna, Venice (Monteverdi Madrigal Week), Neuburg an der Donau (Summer Academy for Ancient Music), Wernigerode (International Autumn Academy for Singing and Conducting), and at Hawkwood College (UK).
As a concert singer, Franke’s repertoire ranges from Bach’s major sacred works to contemporary music. Art song and lute song are likewise among his particular passions. He performs regularly with renowned ensembles such as the Symphoniker Hamburg and appears in concert across numerous European countries.
As a teacher, he serves on the faculties of the University of Bielefeld and the Church Music Academy in Schlüchtern, mentors vocal pedagogy students at the Detmold University of Music, and is invited frequently to give masterclasses and work with choirs, including the German National Youth Choir in the project Bach im Spiegel.

German-Austrian lutenist Bernhard Reichel performs on Renaissance and Baroque lute, theorbo, archlute, and historical guitars, with a special focus on music from 1500–1650.
His work often explores connections between music, visual arts, literature, and philosophy of the early modern era.
He is the director of the ensemble Musica getutscht and collaborates with artists such as Emma Kirkby, Hana Blažíková, Dominik Wörner, and Marc Mauillon.
As a soloist and ensemble player, he has appeared at major festivals including Beethovenfest Bonn, Styriarte Graz, and the Festival Oude Muziek Utrecht, and worked with ensembles like the Deutsche Kammerphilharmonie Bremen and the Dresdner Kammerchor.
Reichel’s performances have been featured on international radio, TV, and recordings for labels such as CPO, Audite, and Coviello Classics. He has also taught at the University of the Arts Bremen and in Sweden.

Born in Genoa in 1999, Davide Pelissa studied piano with Mariagrazia Canepa and Caterina Picasso, later turning to organ under Damiano Profumo. He was long active as a chorister with the Cappella Musicale della Cattedrale di Genova.
Since 2015 he has studied organ and organ composition with Matteo Messori, earning his diploma with highest honors at the Conservatory “Benedetto Marcello” in Venice in 2024.
He also graduated with distinction in Musicology from the University of Pavia (Cremona), with research focused on historical keyboard practice.
Pelissa performs as both soloist and continuo player at concerts and festivals, with a particular interest in Renaissance and Baroque repertoire.





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